Dipartimento di Studi Umanistici

Prodotti della ricerca selezionati

Men and Machines, One Heartbeat? Technological Bodies in Fascism’s Empire Cinema.
In corso di stampa Sabrina Negri https://iris.unito.it/handle/2318/1884559

The Cinema in Flux: The Evolution of Motion Picture Technology from the Magic Lantern to the Digital Era by Lenny Lipton
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884547

Italian Ecocinema: Beyond the Human by Elena Past
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884548

Fine Arts on Film: The Hand-Painted Work of Stan Brakhage.
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884540

The Lusty Men (Nicholas Ray, 1952); River of No Return (Otto Preminger, 1954); Johnny Guitar (Nicholas Ray, 1954); Run for Cover (Nicholas Ray, 1955).
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884551

Essi vivono di John Carpenter
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884561

(Di)visioni di genere. La critica cinematografica delle Figlie di San Paolo.
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884146

The Afterlife of New American Cinema: An Archival Perspective
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884560

The Humanistic Digital: Digital Restoration Tools and the Paradoxes of Uniqueness.
2020-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884555

Introduzione a Tecniche di restauro cinematografico. Metodi e pratiche tra analogico e digitale.
2020-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884554

From Grain to Pixel by Giovanna Fossati
2019-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884549

World War I Was Not in Black and White: They Shall Not Grow Old and the Status of the Digitally Restored Image.
2019-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884541

Painting, Mirrors, Memories. Epistemological Paths in Dario Argento's Profondo Rosso.
2018-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884542

I Saw, Therefore I Know? Alfred Hitchcock's The Wrong Man and the Epistemological Potential of the Photographic Image.
2017-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884543

Simulating the Past. Digital Preservation of Moving Images and the 'End of Cinema'.
2016-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884544

Nitrate Did Wait. And It Looks Fabulous.
2015-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884556

La censura nella distribuzione in 16mm: il caso San Paolo Film.
2014-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884557

San Paolo Film: Education through Cinema in Post-War Italy.
2013-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884545

Do You Have Any 16mm Nitrate Films in Your Archive? The Case of Ferrania 16mm Nitrates in the San Paolo Film Collection at the Museo Nazionale del Cinema in Torino.
2011-01-01 Sabrina Negri; Luca Giuliani https://iris.unito.it/handle/2318/1884558

Digital Cinema, Analogical Archives, Film Historiography: The Missing Links.
2011-01-01 Sabrina Negri; Luca Giuliani https://iris.unito.it/handle/2318/1884546

Insegnamenti

• FILM HERITAGE: PROGRAMMING AND CURATORSHIP (with multisciplinary lab creativity for tourism) (STS0437)
  Cultural Heritage and Creativity for tourism and territorial development
• Storia del cinema (cognomi A-L) (SCF0449)
  Corso di laurea in DAMS
  Discipline delle Arti, della Musica e dello Spettacolo
• TEORIE E PRATICHE DEL RESTAURO CINEMATOGRAFICO (STU0771)
  Corso di laurea magistrale in CAM
  Cinema, Arti della scena, Musica e Media

Gruppi di ricerca

• Gruppo di ricerca Istituzioni del romanzo

Progetti di ricerca

• Copie originali: programmi di salvaguardia e valorizzazione dei materiali filmici d'archivio nell’era digitale.

Attività in agenda

Consulta la mia agenda

Organi

• Study course Council - Cultural Heritage and Creativity for tourism and territorial development

• Consiglio di Dipartimento

• Consiglio del Corso di laurea in Dams